Stephanie Windsor-Lewis

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'Rising star, Stephanie Windsor-Lewis, makes an excellent impression as Suzuki' Richard Morrison, The Times ('Suzuki' Puccini's Madam Butterfly)

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'Stephanie Windsor-Lewis's maid Suzuki is a subtly defined piece of acting' Claire Colvin, Sunday Express ('Suzuki' Puccini's Madam Butterfly)

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'Mezzo Stephanie Windsor-Lewis makes an auspicious company debut as Suzuki, demonstrating the centrality of this crucial supporting role' George Hall, The Stage ('Suzuki' Puccini's Madam Butterfly)

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'Spinto strength was exhibited by by Stephanie Windsor-Lewis, who was a sympathetic Suzuki' Claire Seymour, Opera Today ('Suzuki' Puccini's Madam Butterfly)

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'Stephanie Windsor-Lewis’ natural empathy elevated Suzuki from a secondary part to a central character. Her warm mezzo carried easily and blended well with Romaniw’s voice.' Dominic Lowe , Bachtrack ('Suzuki' Puccini's Madam Butterfly)

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'An exceptional performance by Stephanie Lewis' Anna Picard, The Independent on Sunday ('Lapak' Janacek's The Cunning Little Vixen)

 

'Stephanie Lewis lent a warm, full mezzo and vivacious personality to Nancy' Margaret Davies, Opera Magazine ('Nancy' in Flotow's Martha)

 

'Mezzo Stephanie Lewis holds the stage with a combination of raunchy comedy and finely modulated singing' Michael Church, The Independant ('Irene' Handel's Atalanta)

 

'I was impressed by Stephanie Lewis's Irene: a warm mezzo voice and an impersonation of a ghastly teenager that wouldn't have disgraced Catherine Tate.' Richard Morrison, The Times  ('Irene' Handel's Atalanta)

 

Irene - a shepherdess, but here chav queen, is perhaps the most alert actor, with constantly reinvented physical expression, and has a rich, dependable mezzo-soprano. Edward Bhesania, The Stage ('Irene' Handel's Atalanta)

 

'Stephanie Lewis's beautifully sung Ottavia was presented as a bitter tragédienne' Anna Picard, The Independent ('Ottavia' Monteverdi's L'incoronazione di Poppea)